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Saya setuju.
I used a projector for lighting the model's face, and I illuminated the background with a Balcar studio light. The first image in the series is a double exposure. The first exposure was taken with the background light on, and the second one without it, resulting in a single silhouette in the image. Between exposures, I slightly moved the camera and asked the model to stay as still as possible. I added another shot to the series taken with a single exposure so that the viewer can deduce what is happening in the image.
And of course, almost always when you manage to capture a pleasing double exposure, there's a touch of luck involved.🥁
The anti-portrait, broadly conceived as a portrait that resists or disrupts the received art-historical conventions of its genre. Some anti-portraits retain a partial investment in figuration; others opt for a conceptual or object-based representation of their subject, evoking the sitter not through physiognomic likeness but through strategies that might include verbal or written inscription; the use of indexical or bodily traces, biodata or digital profiling; and many other forms of symbolic or metaphorical elicitation besides. (C) Fiona Johnstone, Kirstie Imber. Anti-Portraiture Challenging the Limits of the Portrait
На фото Локомотив ЧС7 - Выпускался в период с 1983 по 1998 годы на заводе Škoda в городе Пльзень (Чехословакия) для железных дорог Советского Союза. ENG - In the photo, the ChS7 locomotive was produced from 1983 to 1998 at the Škoda plant in Pilsen (Czechoslovakia) for the railways of the Soviet Union.
