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I deleted and reloaded a while shit-ton of pictures (81, I believe) because something went wrong and they looked terrible. Here they are again, pictures around Portland with an LCA+
I deleted and reloaded a while shit-ton of pictures (81, I believe) because something went wrong and they looked terrible. Here they are again, pictures around Portland with an LCA+
I deleted and reloaded a while shit-ton of pictures (81, I believe) because something went wrong and they looked terrible. Here they are again, pictures around Portland with an LCA+
I deleted and reloaded a while shit-ton of pictures (81, I believe) because something went wrong and they looked terrible. Here they are again, pictures around Portland with an LCA+
I deleted and reloaded a while shit-ton of pictures (81, I believe) because something went wrong and they looked terrible. Here they are again, pictures around Portland with an LCA+
I deleted and reloaded a while shit-ton of pictures (81, I believe) because something went wrong and they looked terrible. Here they are again, pictures around Portland with an LCA+
I deleted and reloaded a while shit-ton of pictures (81, I believe) because something went wrong and they looked terrible. Here they are again, pictures around Portland with an LCA+
Lomography 400 print film, shot with a rebuilt Leica M4-2 and Summicron 35mm f2 lens. Yye did a CLA, replaced the leatherette outside, and replaced the innards with MD-a innards, put in a new shutter. The camera body is Canadian on the outside, German on the inside.
Lomography 400 print film, shot with a rebuilt Leica M4-2 and Summicron 35mm f2 lens. Yye did a CLA, replaced the leatherette outside, and replaced the innards with MD-a innards, put in a new shutter. The camera body is Canadian on the outside, German on the inside.
Lomography 400 print film, shot with a rebuilt Leica M4-2 and Summicron 35mm f2 lens. Yye did a CLA, replaced the leatherette outside, and replaced the innards with MD-a innards, put in a new shutter. The camera body is Canadian on the outside, German on the inside.
Lomography 400 print film, shot with a rebuilt Leica M4-2 and Summicron 35mm f2 lens. Yye did a CLA, replaced the leatherette outside, and replaced the innards with MD-a innards, put in a new shutter. The camera body is Canadian on the outside, German on the inside.
#2019 #terrapin6x6 #expiredfilm #Verichrome100 #shot@32 #Ballard #WA #cropped #colortob&w I shot an old roll of Verichrome 100 and decided to expose it at 32--which was probably way too much overexposure! the film came very magenta. So I played with neutralizing the tint, and converted some to b&w, and gave most of them a good cropping.
#2019 #terrapin6x6 #expiredfilm #Verichrome100 #shot@32 #Ballard #WA #cropped #colortob&w I shot an old roll of Verichrome 100 and decided to expose it at 32--which was probably way too much overexposure! the film came very magenta. So I played with neutralizing the tint, and converted some to b&w, and gave most of them a good cropping.
During the early years of WW2, there was a massive building program of coastal defence contruction all round the British Isles. Much of this was concentrated in Kent. The Lydden Mk VII 6" naval guns on Mk V mounts are long gone, but you still see the cook house and mess blocks
During the early years of WW2, there was a massive building program of coastal defence contruction all round the British Isles. Much of this was concentrated in Kent. The Lydden Mk VII 6" naval guns on Mk V mounts are long gone, but you still see the cook house and mess blocks
I found a Kodak 100 film in a drawer at home, I have no idea how long I've had but it appears to have been changed mid roll. I ran it through my G1 and had it developed by my friendly developers (a big shout out to Nik & Trick https://ntphotoworks.com) and found that the film had been double exposed. Many of the images not worth bothering with; hower this one is, it needed cropping as the image spacing is all over the place.
Despite being subject to various environmental constraints, the highest peak of the Monte Gallo promontory is unfortunately known for the speculation of building and for the wild abusiveness of the '70s and' 80s, which have permanently disfigured this marvelous stretch of the Palermo landscape .
Rotor, from up here it's another thing, 2018. Today the whole area is abandoned and the "skeletons" of the concrete structures are visible even from a distance. One of these skeletons has been transformed into an observatory from which you can enjoy the view of the city and the coast. // More infos here www.lomography.it/magazine/339237-manifesta-12-city-on-stage
Despite being subject to various environmental constraints, the highest peak of the Monte Gallo promontory is unfortunately known for the speculation of building and for the wild abusiveness of the '70s and' 80s, which have permanently disfigured this marvelous stretch of the Palermo landscape .
Rotor, from up here it's another thing, 2018. Today the whole area is abandoned and the "skeletons" of the concrete structures are visible even from a distance. One of these skeletons has been transformed into an observatory from which you can enjoy the view of the city and the coast. // More infos here www.lomography.it/magazine/339237-manifesta-12-city-on-stage
Despite being subject to various environmental constraints, the highest peak of the Monte Gallo promontory is unfortunately known for the speculation of building and for the wild abusiveness of the '70s and' 80s, which have permanently disfigured this marvelous stretch of the Palermo landscape .
Rotor, from up here it's another thing, 2018. Today the whole area is abandoned and the "skeletons" of the concrete structures are visible even from a distance. One of these skeletons has been transformed into an observatory from which you can enjoy the view of the city and the coast. // More infos here www.lomography.it/magazine/339237-manifesta-12-city-on-stage
